I know you're hurting, everyone is hurting, everyone is trying, you have got to try
Joshua Idehen
Pitchfork lauds this electronic spoken-word debut as earnest and revelatory, using club beats to preach on gender equality, personal growth, and communal uplift, drawing from the artist's evolution from toxic views to introspective poetry.
Pitchfork hails indie pop standout Grace Ives' album as a razor-sharp, self-serious travelogue from personal chaos to recovery, scaling her chaotic charm into high-drama pop with vaudevillian elements and a muscular alto.
Pitchfork describes this ambitious pop album as a high-gloss gamble remaking pop, compressing the artist's eclectic electropop personalities with clever tricks like brostep drops and genre blends, aiming for mainstream rule.